Epistory: You can now buy it on Early Access

October 1st, 2015 by Sophie Schiaratura

FB_avatarWhat to expect in the coming days & weeks

After the Early Access launch yesterday we received a lot of feedback and we are excited to see reactions, videos & liveliness in the community

For the next few days we will focus on ironing out the bugs and quirks that were reported. Most notably any save bug that you or we encounter. The game is currently playable in several settings but the save is sometimes a bit dodgy so that is our top priority. 

Then, in the coming weeks, we will continue to produce the next chapter of the game. We should be able to deliver it in a month. A month and a half, maximum. 

We will of course do minor content release in between chapters with stuff like improved UI and feedback, bug fixes & general polish. We want to avoid players going through a new chapter while it’s only half done because it will ruin part of the joy of discovery. 

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We are also going to create an unstable branch for the game so you can try our latest advancements before we make it available for everyone. We may also add a separate branch for people wanting to try the new areas before they are finished if you ask for it. 

Thank you, more news soon.

Join the community on Steam

Epistory: SAVE THE DATE!

September 22nd, 2015 by Sophie Schiaratura

Hi folks! We are so glad to announce the release of Epistory on Early Access. See you the 30th of September on Steam. Meanwhile, you can visit the Steam page of Epistory and put it in your wish listhttp://store.steampowered.com/app/398850

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Epistory: Automating Action & Reaction

September 7th, 2015 by Sophie Schiaratura

A tale of candy distribution.

Introduction

Most games can be reduced to a series of actions and reactions. Today I would like to share with you a way to facilitate iteration and expansion of these interactions. It will sound obvious to a lot of people but I would have loved to see this kind of example 6 months ago. When I was not yet used to component based mechanics.

It all started with a simple request a few months ago, we had just designed & implemented the scoring system and we needed items in the game world to be able to give points when activated. Easy, I wrote a small script which would be attached to objects that had to add points when activated. Controlled by our item’s base class, it would be called automatically.

The buildup

As time went on, that simple “points giver” script was updated to include various behaviors like prefab spawning, door unlocking and so on. It worked well but it was not very flexible. So I changed the structure to include a parent class to have a common entry point and place each behavior in a child class.

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It’s not standard notation but you can see the rewards and the items have a base class, and only these base classes interact with each other. The same kind of effect could be achieved with interfaces but I prefer to have a default implementation.

The true power of this structure lies in the modularity. Every trigger or actionable item in the game works with any reward and you can place any number of reward in a game object. The most basic action/reaction you can do is simply “collider – trigger – reward”. The player walks in the scene and something happens (tutorial message, cinematic, …).The possibilities are exponential and a new reward behavior is very easy to add.

Polish & additional features

Over time, features were added. Like the possibility to set a delay between the action and the reward. Camera travelling firing rewards at event points… What started as a joke -“reward” as in skinner boxes- is becoming a running gag: we’ll call this one “reward_kill_player”.

I recently did the same kind of structure for visual effects. A few key points (creation, destruction, hit, …) are exposed via a base class. You just have to derive from it and you get all the hooks that an artist would need to handle animations or particle effects.

Conclusion

The system is currently powerful enough to allow our designer to create our whole in-game introduction & tutorial with only the reward system. Looking back my only regret is that this system was not put in place earlier to have more of the game relying on it. Also, calling it “reward” when it’s in fact a “reaction” was a bit shortsighted.

I can share some sample code if some of you are interested. I leave you with one of the more complex interaction that we can produce.

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P.S.: As a very tangible reward after a long wait between news here’s a few free gifs. Both features were added this week:

- One of the first iteration. Nothing special…

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- One of the last iteration. Circular pattern, grows from the middle and not all of them at once.

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- Black mist that will block your path (first iteration, polish will come later)

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Epistory @ Gamescom 2015

August 4th, 2015 by Sophie Schiaratura

Hi Folks! 

After months of preparation we’re ready to unleash our demo of Epistory and let you play it at Gamescom 2015.

Come and join our adventures at Hall 10.1 Stand E040c. 

 

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Visit our stand and get the official bookmark of the game

 

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This is what the wall of our booth will look like

 

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We are ready for Gamescom!

Follow us on Twitter and Facebook to get day to day news about our team @ Gamescom.

@FishingCactus
@epistorygame

https://www.facebook.com/fishingcactus

https://www.facebook.com/epistorygame

Monkeys Ahoy! anchored on the App Store

July 24th, 2015 by Sophie Schiaratura

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Join two young pirates on their quest to make the ultimate friendship smoothy through this bright, lively and wild monkey world. Monkeys Ahoy! is a match 3 game with a twist where players can connect pirate treasures by drawing the longest line possible through the same shapes and colors. The game allows for unique combos and chaining as you jump between shape and color to continue the chain. Easy to play and learn with the added fun of trying to make the longest chain through all the pirate goodies! 

Monkeys Ahoy! is available for $1.99 on The App Store in English, French, Spanish, German, Portuguese, Polish, Dutch and Russian.

iOS version:  http://tiny.cc/monkeyios

release_monkeysahoy

Epistory: Fluffy Friday #3 – Burning Brambles

June 23rd, 2015 by Sophie Schiaratura

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Bite sized news for small stuff. Today: Burning brambles.

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Welcome to another installment of our fluffy sweetness. If you missed our Critters gifs last week you can check them here.

Ok! To recap, we had a world quite pleasant to walk in, decent levels and dungeons, epileptic Critters… and a girl riding a giant fox fighting against monsters and corrupted nature. Fighting how? With words. I mean MAGIC FIRE WORDS!

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So, here’s the fire animation, shown in our previous paper on art direction, in action. Yes, we know, burning the forest is bad but these brambles were evil, very very evil.

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fluffy 3 burning brambles 1 

Imagine you’re hanging around with your fox and brambles block the road: burn them! There are monsters on your way out from the dungeon: burn them! There are cute critters… wait… stop. May I draw your attention on the fine and not final spell forging animation before the girl sets the world on fire?

Hope you felt the magic. See you next week for another incredible Fluffy Friday!

Have a great week.

Epistory: Fun with bones in Unity

June 11th, 2015 by Sophie Schiaratura

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Discovery of what unity can do in terms of jiggly bones and overriding animations.

The inception

A while back, after slowly becoming mad tweaking animations and movement behavior on our avatar, I decided to have some simple fun with Unity. See where the limit was and what’s possible in a certain domain. Since I was obsessed with the character’s animation, my attention was driven towards improving what our animator gave us in terms of natural movement. Even though the animations were quite good, I wanted some physics madness in there. So I went on a quest to mess with the bones of mecanim.

It turns out it’s rather straightforward to activate the so called “jiggly bones”. A few changes in your model before export does the trick. It does however require a great deal of value tweaking and physics engine know-how. You may follow this tutorial if you want to try it for yourself.

Here’s what I could do as a quick ‘n dirty test. This will *not* be in the game. Even if the effect could be nice, It is at the bottomest bottom of our priorities.

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But doing this as a playful “what if” helped me learn a lot about how Unity works with animations and physics. Even better, I would never have thought of what I’m about to show if I hadn’t gamed the system.

A few days later, the movement and animation finally polished, I found one last thing I could do, turn the head of the fox in the direction of where the avatar will go next. Providing a subconscious feedback on the movement. Using the head bone and overriding the animation, it should be possible. Right?

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It turns out it is. This gif was taken when a bug prevented the fox to move or turn so you can clearly see that the head orientation is overridden (and a bit disturbing, sorry).

How to do it

First, you have to get a reference to your head bone:

private void Awake()
{
  HeadBone = /*find the headbone in the hierarchy*/.transform;
}

There’s nothing to do to your model. All you have to do is use the LateUpdate function which is called afterthe internal update of the animations.

private void LateUpdate()
{
  Quaternion
    look_at = Quaternion.LookRotation(Direction, new Vector3(0.0f, 1.0f, 0.0f));
  look_at *= Quaternion.Euler(-90.0f, 0.0f, 0.0f); // Our models are rotated
  HeadBone.rotation = look_at;
}

You can do all sorts of crazy stuff with this.

The result

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Here you can see the result in game. Slowed down on purpose to make sure it’s seeable in a gif. The effect is very subtle but you can see that the head will always point to the right direction (almost instantly) and the body follows soon after.

The next time you are frustrated with a particular task or simply bored out of your mind after a day of repetitive tweaks. Do yourself a favor and just play with the tools on your workbench. Who knows what kind of gem you’ll unearth.

}

Epistory: Fluffy Friday #2 – Adding critters.

June 2nd, 2015 by Sophie Schiaratura

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Bite sized news for small stuff. Today: Adding critters.

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After our world building, level crafting & dungeon inaugurating, we were left with a grim realization. For all the beauty in display, we were missing something crucial. We had a beautiful but empty painting. A canvas ready for: Life! *crackling thunder*

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So, here they are presented with their idle animation. Minding their own business until you come along:

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They’ll spawn in small groups where it’s relevant and flee when you come close. Now that the system is in place we could add more variety if we find the time. It’s not completely done but I can already tell you it adds a lot to the look & feel of the game.

We’ll show more soon and I wish you a nice week.

Epistory: Fluffy Friday #1 – Tile appearing

May 26th, 2015 by Sophie Schiaratura

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Bite sized news for small stuff. Today: Tile appearing.

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Today I present you a new kind of post that we will try to do regularly. As an introduction I’ll simply say that we have a lot of small juicy stuff to show that would feel lost in a bigger article. It will take the form of a few gifs or pictures and a bite size article. The topics should range from fluffy things to weird but funny glitches and all that stands in between: gameplay shorts, animation tests and so on. Now that it’s out of the way, let’s continue to…

Fluffy Friday #1

During your wandering in the world, you will slowly uncover more and more of it. Akin to a blank page filling up with words. We wanted that event to be enjoyable to watch because it marks progress in the game. So we did something like this:

tiles reveal

While this gif is not the final version we had at the time (I can still see a few bugs) there was no sense of accomplishment. Just another chunk of land coming in.

So we decided to wait. Once the gameplay mechanism is in place, your priority shifts to another gameplay element. Polish can come later, right? Yes! And we did a pass of polish on that system along with better graphics overall, I’ll let you see the differences for yourself.

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There you have it. Of course the final version could differ slightly from this and the gif doesn’t show the best framerate and color. I hope that this is already enjoyable and that you will want to see more posts like this.

Epistory: Handmade vs randomized level design in Epistory

May 26th, 2015 by Sophie Schiaratura

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The constant dilemma between more control (but time consuming) and more automatism (but never perfect) in Level Design, and how tools can help.

The problem

As in most puzzle / adventure games, Epistory’s level design, is designed manually from the world layout to the smallest puzzle. But to save time and money, we need the automation of everything else, like generic and repetitive patterns or effects that give life to the world. That is what this article is about: the level building of all the things that are not unique or designed for a specific purpose.

A good example of that is the placement of every tree in a vast forest. We know what we want (a group of trees), where (a delimited zone), and how (dense and diversified). So we have parameters that could drive a procedural generation of trees. By the way, game engines have similar tools for vegetation generation.

But in the same time, we want to draw a path in that forest with a specific level design, and the trees’ shape and position influence that design. This is where lies the dilemma: a full control allows us to place each tree as we want but takes a lot of time, and a full procedural gives results that will never be perfect.

If you want a metaphor – everyone loves metaphors – imagine you are drawing a diagram or taking notes. If you use one black pen, the result is not as clear as if you use a color code. But if you have full rainbow pens at your disposal, you are always tempted to choose the right color for the right thing and, inevitably, you lose time. Limitations can have a positive effect, be it saving time & money or coming up with creative solutions.

Our tools

Before explaining our solutions to that problem, I need to talk about the tools we are using and a bit of our level building workflow. Epistory’s level design is tile based and we use the Tiled editor, which is perfect to prototype, create and edit tilemaps really quickly.

The essential criterias when choosing a tool are its usability and the level of control it allows (or in reverse, its constraints). Of course there is also the cost to buy or develop that tool, but I will not talk about that aspect here as I am focused on design (plus Tiled is free and Unity plugins are relatively cheap).

You can get used to Tiled pretty fast and come up quickly with a rough prototype. It saves you time while doing repetitive tasks and is easy to edit. In sum – as long as you stick with tiles – its has no big usability flaw.

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So I start by creating the map with Tiled. But the game is in 3D and developed on Unity. So here comes theTiled to Unity plugin that uses the exported tilemap to generate the level in the Unity editor. It simply places the right 3D asset at the right place.

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For more specific features, we modified the plugin source code to add more functionalities. An example: when you progress in the game, new zones of the world will appear. So we need to be able to delimit those areas. The easiest way to do it – from a level designer point of view – was in a specific layer on Tiled. So the plugin can also add the generated tiles to a tile manager, and determine to which zone it belongs from that “Zones” layer.

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Finally, I place interactive elements and puzzles manually in Unity. It is easier and more editable this way because they all have specific behaviors and parameters. Unique decors used as landmarks and localized visual effects are placed the same way at the very end.

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Some solutions

Controlled randomness
In my opinion, the best solution to the “control vs automatism” problem is the more obvious one: a random (or procedural) generation in the editor, which is corrected manually only where it is needed. Note that the random aspect only exists in the editor, it cannot be regenerated in game. As long as you do not change everything, that controlled randomness has a good time / quality ratio.

For a concrete example in Epistory, I will use the example of the forest again. I use the random mode on Tiled to randomly paint with elements from a selection. Then I change some of them manually in Unity if it creates strange looking patterns. I try to have a continuous border for smooth collisions. And I place a few mushrooms, again with a bit of randomness.

Localized procedural
Another solution is to use a more ordinary procedural generation but limited to a very few parameters and/or a small area. Here the randomness happens in game, but not on the key elements of the design. That localized solution allows a correct placement at macro scale without having to place small elements one by one.

In Epistory, we use that method to spawn critters. Potential spawn points are defined and only some of them are chosen a game start. They are not always at the same place but always at a suitable one.
There also are large zones in which groups of particles are randomly spawned. That lets us quickly define the areas in which you will find butterflies, fireflies, fog and so on.

Item variations
Finally, only one attribute of an element can vary randomly. This way, you can use item variations that keep – for example – the same size and function in game but can look a bit different. You do not have to bother about the small variations if they do not affect the design.

On Epistory, we made little use of that but we consider adding variations like size and texture for trees and rocks, rotation on tiling textures, ripped paper effects on some tiles, and so on.

I am sure there are plenty of other solutions and applications to them. I hope that you found those ones interesting and that they could be useful elsewhere.

Thanks for reading.
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